Reminiscing with my short time on film photography

Back in 2007, just months before I got pregnant, Egan and I took a B&W photography class. I really had no expectations, and when it came to the class having to share our expectations, I don't even think I answered the question. I took it to learn the basics of photography, because I knew I wanted to get into digital. I figure I should learn film first. Glad I took the class, and I took notes and all but I forgot a lot of what was taught. But well, as I re-learned them since them, things began to focus again and I remembered exactly (or most) of what was taught.

The darkroom experience was great. Actually, I was lost. I relied on Egan to get me through it. Then one class, he couldn't make it. So I was alone, and tried to make a friend to ask questions to. Good thing there weren't snobs in that class. But because Egan wasn't there, I actually learned how to use the freaking dark room. So much that I have been wanting to take that same exact class just to use it. I'm glad I was able to use the "real" photo shop.

The best part I found about dark room printing is how technical it was. Taking a photo was the creative part, but having to print your own photo was a whole different world. I made so many mistakes that I actually learned a few tricks (double exposure, weird effects). And is it too weird to admit that I liked to pretend being blind so I could load the roll of film and practice getting it into the metal reel with perfection? It took several tries in the black closet but I did it without a hitch a couple of times.

One of these days, when we have a real house that is big enough, I still want to have a dark room. Film photography would be fun (expensive) to do just for fine art stuff, and possibly for some paid portrait sessions. As it is, the Minolta GX7 I bought for the class died -- Egan and I were out shooting with our film cameras and I think we were at St. Ignatius church in SF when I was in the back trying to take a picture of the altar. Seems Jesus didn't want his cross photographed and that was when my shutter button just died. Didn't think it was worth fixing, so I still have it stored away. I would be interested in getting another film camera just for the heck of it, but that's for another time when I have time. (Sorry for the Jesus comment -- I am a Catholic making a harmless joke)

Egan and I each still have our portfolio albums we put together from the class. That was perhaps, the last big thing I did for myself before settling down. I am very grateful for the time I invested in it. 

"upgrading" gear

When I first got my XT, it was offered to me by a good friend who was looking for a new owner. We were casually talking about photography and my desire to get something better than my loveable point and shoot (Canon Powershot S2IS). I bought it because he gave me a good deal, and it was something to start learning with. And boy did I learn (and still learning).
It was some 3 years before I decided to upgrade to the D series. I researched for months what I wanted with the budget I had. I almost went for a 20D but knowing they're actually pretty old, I started looking at 40D's because it was an established prosumer camera that was old enough but upgradeable to and still in my budget.

I ended up selling my XT to another friend who was interested in learning, so I am glad I was able to pass it on to someone who was in the same place I was once in. I replaced my XT with a full-frame 5D because I was convinced that if I was going to spend money on upgrading, it should be a full-frame. And I'm glad I did.

I will be with these two bodies for a very long time to learn with, to shoot with, and to work with. I don't plan to up

Now for image editing, I am comfortable still using CS3. I love it. I was on Photoshop 6 for years, and before that, Photoshop 2 for a while (since college). I don't even know what Photoshop I used in high school when I would sneak on my brother's mac and make really ugly collages from scanned pictures. The only reason why I would want or need CS5 is for potential employment. A lot of companies only want to hire those who have experience with CS5 now. I say, if you know what you're doing on Photoshop, you can accomplish anything. I had a design teacher that told us that there are several ways to achieve the same thing on Illustrator. It's a tool -- you use it to make something with. There are no hard rules or anything to create! With that said, software is software and the version you use doesn't need to be upgraded right away if you have no real reason to. CS5 doesn't make you better than someone still using PS7.


Some thoughts on photography

Photography is not a job for me. It's something I love to do. I have a habit of getting into expensive hobbies. When I played music, I must have spent thousands on gear, gas, band expenses, studio rentals, etc. That was on my lousy part time income. Now that I have a full time job, I also have full time expenses (and a family) so I'm playing it wise and just buying things I really need to get the most out of photography. Along the way, I offer the service to fill up some weekends to make some side cash (a little part time income can't hurt). I'm not particularly in love with the business as much as I am of just taking photos, but as with most things, it costs to do something. And well, I still play music. I haven't sold any of my gear. (I should). But I took it seriously, and I'm not ready to give that up. Though it took the backseat for my new priorities.

To those photography purists that look down on part time photographers or weekend warriors, don't worry, we're not doing this to take YOUR job. I am doing this to fulfill my own interests, and I have no intention to quit my dayjob. And I am not interested in putting you out of business. You are not threatened by us weekend warriors. We are limited with our time, so you still have a lot of business coming your way when us weekend warriors are working our desk jobs. Some of us will charge low, some will charge competitively. All it really is is being available to low budget pockets and those who put value in photographs. Don't judge a photographer who wants to charge low--you should know, love photography first before business.

Had to put this out there because I see a few grumpy photographers feeling threatened with low-charging photographers.

Well, that's just how I feel about that. Take it for what it's worth.